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Mike Donahue directs Martin Crimp’s free-hand adaptation of Edmond Rostand’s classic “Cyrano de Bergerac’ in a production starring Chukwudi Iwuji in the title role.
Will Power’s “Memnon,” a co-production between the Getty Villa and the Classical Theatre of Harlem, has its world premiere.
The much-anticipated reopening of the Mark Taper Forum, ‘Lightscape’ at Disney Hall, a big debut in San Diego: Here’s our shortlist to the most promising shows in the season ahead.
At Geffen Playhouse, Biljan Sheibani directs a crackling revival of ‘The Brothers Size,’ part of Tarell Alvin McCraney’s acclaimed trilogy ‘The Brother/Sister Plays.’
‘Velour: A Drag Spectacular,” created by Sasha Velour and Moisés Kaufman, is worthy of its title in world premiere at La Jolla Playhouse.
Barry Edelstein adapts and directs ‘Henry 6,’ Shakespeare’s early history play, condensed into two parts, as San Diego’s Old Globe completes the playwright’s canon with an entertaining adaptation.
Director James Marsh’s film on the life of Samuel Beckett, starring Gabriel Byrne and written by Neil Forsyth, infuses surrealism into a conventional format.
Marianne Elliott’s Tony-winning gender-swapped revival of Stephen Sondheim and George Furth’s ‘Company’ dazzles at the Hollywood Pantages.
‘Clue: Live on Stage!,’ playing at the Ahmanson Theatre, earns its exclamation point through the breathless exuberance of its physical comedy.
Tom Jacobson’s new plays ‘The Bauhaus Project’ and ‘Crevasse’ are thrilling in the scope of their ambition. They are also unsettling as America faces its own fascist peril.
